Archives For Scrivener

So I’m beginning work on Book #2 of the “Weapons of War Trilogy” (current title … what can I say, I am rather attached to it). I’m trying out the beta version of the upcoming writing software “Novel Factory“. It’s challenging, because I don’t naturally work in such a structured way. And yet it’s very helpful, because that structure is exactly what I need to help me create a quality follow-up to the first book.

Novel Factory Screen Shot

I love the fact that you can link several images with each character

I learned a lot working on that first book. I learned from Larry Brooks about story structure – midpoint reversals and plot points, etc – and Randy Ingermanson about the Snowflake method of developing an idea through to a publishable novel, and I have learned TONS of stuff from Janice Hardy, from various methods of writing strategy through detailed how-to’s when it comes to reducing passive voice and writing dialogue and the like.

The Novel Factory Software combines a lot of those ideas and helps the novice writer (or the semi-experienced with heaps more yet to learn) apply the theory. It still leaves a lot of room for the writer to do their own research, but it even helps a bit with that, with a “Resources” section with links to where you can purchase well-known writing advice books. But it basically guides you through the Snowflake method, while also getting you to think about the major plot points. It even gets you thinking about Scenes and Sequels (Heads and Tails in the software) … It’s really rather cool. The more I look at it, the more I can see it being incredibly helpful.

Another feature I really love – because I thought about doing it for my first novel but didn’t get myself organized enough to do it – is that for each character, it encourages you to write a mini-synopsis for each scene re: what each character is up to. To me, that is a really good idea. As I said, I wanted to do it the first time around, I just got lazy. But this makes it so much easier – I believe it automatically links the scenes a character is in to the character’s profile so you can then go and make notes about what that character is doing at the time.

Novel Factory Screen Shot

Multiple images per character, and scene-links that allow you to really delve into each character every step of the way

I haven’t actually started writing yet, I admit, but that is because I don’t have the story worked out just yet. I have a couple of scene ideas, which are evolving as I think because of other ideas that have cropped up – and changes I made to the end of the First Book, which affect character knowledge at the start of Book Two … probably for the best.

The one thing I have requested is a bit more of a sandbox area. I mean, I love the organizational structure of the software. But I am a partial-pantster. I need a little space to just play. Also, whenever I delete scenes or sections, I always keep them. So I need a place to move them to. We shall see if that shows up in the final edition of the programme. I have played with yWriter and Scrivener previously (Book 1 was greatly developed in yWriter and completed in Scrivener). I made the switch to Scrivener because I liked the flexibility it offered me to design my own work area. Well, actually, the main draw was that I could build my character profiles and link as many photos as I wanted … (Hello, Novel Factory … you do that too, you say? Hmmmm). The total freedom of structure in Scrivener did lead to my files getting rather messy. I actually have three Scrivener projects leading to the final version of my story. Although, that’s not really a reflection of the software – that’s how different some of my versions were … They were so different I had to basically start over.

Anyway, this post is turning into a bit of a ramble, and bedtime is fast approaching. I just wanted to toot the horn for this new piece of writing software. I think it shows a lot of promise.

Heh.

I edit my story in Scrivener. When you tally up your total word count, you have the option of only counting the sections you have marked for inclusion in your compile (when you export to another programme to prepare for submission, or e-book creation). This is handy, as I have been known to keep “Notes” files alongside my scenes for compile. Scrivener also has a “Research” folder where you can keep all your prep files – character studies, setting descriptions, images, etc. Within my Research folder, I’m also keeping my “sandbox” scenes, where I play with alternatives before deciding whether or not to commit them to the compile version.

So, my new version of Chapter One was one of these sandbox files until last week some time. So, I moved the old Chapter One to my Research folder, and my new one into the Draft folder. But, I forgot to mark it to be included in the compile. What a difference that little check-mark makes. Now, all of a sudden, I have more like 46,000 words in my draft. Wow. That feels like a lot. Almost 50% if I was planning a 100,000 word story … which I was to begin with, but I doubt I’ll be able to tie it up by then, so I’ve set it to a 120,000 word goal for the time being. 46K-odd words still feels good.

What can be achieved

January 26, 2012 — 2 Comments

After procrastinating (although, one could argue that the music purchasing – I’m a member of an online music voting group – and software buying – I’d nearly reached the end of my free trial period with Scrivener, and I like it – was necessary), I finally set about doing some writing during my son’s late morning sleep today. He’s due to wake soon, so I’m going type this note quickly. I learned something the other day – yesterday, in fact … No, I’ll say I learned it now, actually.

See, during my procrastinating yesterday, I visited Elmore Leonard’s website and looked up some of his stuff. I came across a short interview with him, in which he said that he didn’t always know how a scene was going to go, he just knew its purpose, and then he would write it. He also mentioned that characters had to talk to him or they were liable to get killed off, but that’s another matter. It came as a breath of fresh air to me. When I first started writing, I just wrote and hoped something entertaining would come of it. And, something did. It wasn’t awesome, but people liked it.

Then I got further and further along the path of enlightenment. I learned about the Snowflake method, I learned about Outlining, I learned about PLANNING … And then I got pregnant and had a baby (oh, the Outlining learning came after the baby … but, meh, details details), and time to write got ever shorter. And so I got to thinking – it’s not about working harder (I don’t have the time for that), it’s about working smarter. My thinking started to turn towards building up a rock-solid outline, have everything nutted out and planned, so I knew exactly how things would play out, and when I had time to write I could do just that.

But … Continue Reading…